Dr. Seuss' work stands out among the many other children's books that carpet our house in a number of ways and I have been thinking about why. The sun sets early these days. The answer lies in how his world is formed out of his formal relation with language and drawing. I know next to nothing about his creative process, but have a number of his books memorized, and I can say with the authority of familiarity that the underlying structure of the language sets the foundation for the incredible universe that follows.
The words come together first because they sound great together. It is hard to find an awkward line. From there, Dr. Seuss illustrates a world that is uttery convincing and is built entirely around the language. There is Jerry Jordan and his jelly jar, a yawning yellow yak with Yolanda on his back (Yolanda looks like a complete brat and is yelling just as loud as the yak is yawning wide) and my all time favorite, the Quick Queen of Quincy and her quacking quackeroo.
Consider this from a page in Wet Pet Dry Pet, which is an adaptation of One Fish Two Fish...
Who is this pet?
Say! He is wet.
You never met a pet, I bet,
As wet as they let this wet pet get.
Once you can wrap your tongue around the rhyme, chant it in syncopation. Genius. Such joy in the language. You can do an amazing jazz rendition. My audience loved it.
Throughout his books Dr. Seuss' visuals are driven by the language, and the language is driven by the sound of the words, which when strung together lead to narratives, beings, and places that are incredibly integrated in their relationships with each other. All of this is built on the formal qualities of the language itself, which makes Dr. Seuss a modernist. A joyful modernist with a bit of a dark side. Just my kind of guy.